A Fine Romance?
Some of you reading these posts see writing as a tool. A left-brain activity to lead you to promotion. Or world acclaim in your field of expertise. For you corporate writers, writing may mean coherent Annual Reports for your department head, witty after-dinner speeches for your chief executive or clear expositions of your own research results.
Worthy though these activities are – have you ever thought you could relate to your writing in other ways? You and your writing could have a much more intricate and personal relationship than you’ve ever dreamed of. Creative writing is a powerful route to the successful exploration of who you are and what you really want. And, in Spring – a month, when relationships are uppermost in the minds of many – it’s worth spending time on this.
OTHER ‘WRITING’ RELATIONSHIPS!
Perhaps, put simply, writing could be where your passions lie. And love of writing shows itself in many ways!
The Right-brain Writers Quiz
Do you write because you must?
Are you – like me – entranced by English? And does the sound of beautifully-composed English language – Shakespeare, Dylan Thomas, Alexander McCall Smith – make your toes curl?
Do you – like me – come from a long-line of story-tellers? And, when you were a child, did you – as I did – write your own stories because no-one else was writing what you wanted to read?
The relationship between ourselves and creative writing can be a passionate, obsessive one. Which can cause problems for other passionate, obsessive relationships in our lives.
So what to do?
Well, we could give up. There’s little enough encouragement to carry on writing – even at the best of times. But we don’t, do we?
Better by far is to get everyone on board. If someone you love is resistant to your writing, there will be reasons for their resistance – jealousy, insecurity, protecting you from the disappointment of rejection, protecting you from the apparent drain on your resources that creative fire involves. You see – it’s not all about them. So talk.
And, ask them to change their attitude. If they can’t do this straight off – and it is a BIG request – perhaps they could try smaller changes – such as resisting any temptation to tease or interrupt or sneer. Do they mean to hurt you in that way? Ask them. Perhaps they don’t realise . . .
In her classic creativity book, The Artist’s Way, Julia Cameron recommends an Artist’s Date – a time in the week when you take yourself out on your own for some re-creative activity. For me, it’s yoga practice, a walk in the country, a visit to an art gallery or a bookshop. This, Julia Cameron swears, will put you back in touch with yourself. And this is desirable. Writers need solitude at times. For reflection. And to do the business.
But, don’t forget, you need people too. Apart from the emotional support and the fun, human relationships can be a writing resource. These are the stuff of much adult writing – from soap operas to novels. At your own peril – as a writer and as a person – you neglect yours. Especially, in February!
And – if your relationships are suffering because of your writing – perhaps you should make some time for your nearest and dearest. What was it you so enjoyed when you first got together? How long is it since you . . .? What are you learning from this? Is it time for a ‘date’?
‘Dates’, of course, needn’t just be for lovers. Friends need lunch too. Is the dog walking round the house sighing and carrying its own lead. And – when did you last see your father?
MIXING WITH THE BEST
From time to probably increasingly regular time – you may also need a professional ‘date’ to keep you on track.
This may be a group of writers and to find a writers’ group near you, contact the National Association of Writers’ Groups (www.nawg.org.uk).
Or see www.writers-circles.com – a directory of registered writing groups with links to just about everyone and everywhere in the country to make you feel less lonely.
Or access a virtual group on the Internet. Now you’re really thinking big.
OR RING UP YOUR EDITOR!
Good editors know their readers. With finely-tuned sensors – good editors flag up anything which will confuse, be irrelevant to or disturb the delicate relationship of reader and writer. They are as passionate about defending their readers from your self-indulgence and excesses as you are about what you write. A good editor will also defend you. And reward you. So take them out to lunch and listen to what they say. Remember – a bad editor can throw you to the wolves. Cherish the good.
THEN - BACK TO YOU AND THE PAGE!
Writing like any other exercise requires a warm up. So here’s a little game – remember childhood parties – to start you off.
· Take a blank sheet of paper.
· Start writing by hand and keep writing for ten minutes. If you can’t think what to write next, keep writing gibberish – until you start making sense again.
· At the end of the ten minutes, stop – even mid-word.
· Stand up, walk round the garden, go and wash-up.
· Go back to your paper.
· Read through and with coloured crayons highlight:
o Themes
o Metaphors
o Recurring phrases
· Ask yourself – what have I learned from this?
· Ask yourself – do I feel a story coming on?
· If necessary, say to yourself: “I must get on with my report/article/synopsis now so I shall put these ‘nuggets’ into the ideas file and let them inspire me another time.”
Nothing need go to waste. But you are now ‘warmed up’ and relating well to your writing task of the day.
Wednesday, 12 March 2008
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